John A. Scott’s The Boy Who Loved Dolls is a surreal tale of figurative dismemberments

The Boy Who Loved Dolls looks back to French surrealism and post-war European cinema, and the way they responded to the horrors of fascism and war.

MarketNews muestra el titular y el resumen publicados por el medio. El artículo completo se lee en el sitio del editor. (theconversation.com)